Motion Presets

Stop rebuilding the same counter every video

The animated number and the frosted label you remake by hand every time, kept as presets instead. Set the values, watch it run in the panel, and drop it where the playhead is.

Motion Presets with the Number Counter selected, its start, end, duration and hold values filled in, and the animation running in the live preview.
How it works

What actually happens

  • Number Counter animates any value, with start and end holds, decimal places, and a prefix and suffix
  • Linear, ease-out, or ease-in-and-out
  • Glass Bubble: a frosted squircle holding a label or an icon
  • Everything previews live in the panel, on a loop, before it lands
  • Arrives as a transparent title clip at the playhead, so it sits over whatever is under it
  • More presets land in the same place as they are built

Try it on the video
you're editing tonight

7 days of unlimited transcription is plenty for a whole video, start to finish, on your own footage — no card, and nothing to undo if you don't like it.

Get your evenings back
Also in the panel

The rest of the night

Never type a timecode again

One click on the open sequence, then a word-level editor.

Captions that look like you made them

Twenty looks, previewed over your real frame, timed to the word.

The line they'll remember, on screen

Keyword pops that land on the exact syllable you said them on.

Punch-ins that hold attention, without the twenty minutes

Punch-ins timed to the line that carries the beat, still editable.

Your B-roll folder finally earns its keep

Your own clips, placed where you're talking about them.

Keep the take you meant, lose the three before it

Every attempt at a line, listed so you keep one.

Dead air and "um"s, gone in one pass

Pauses and "um"s found, reviewed, then ripple-deleted.

Hand back chapters they didn't ask for

Timed chapter markers off the transcript you already have.

Your face in the corner, without building a mask

Face-cam framed over your screen recording, without masking.

A grade that looked at your footage first

Samples your own frames, then grades to match.